Thursday, November 19, 2009

I had a Good Lesson last night

I always believe in the purity of heart. And it has over and over again showed me the real potential when heart, mind and soul are align.

We went up to one of the higher grounds in Sungai Ara yesterday evening. I followed my instinct and showed Joie the direction to the spot and we walked a bit in the vicinity. It was a cozy evening and I almost could feel a gentle pat on my shoulder when I stood there with my eyes closed enjoying the breeze.

It was very comforting.

As we came down from the hill and driving back, some thoughts took place which later I found it very profoundly impacting me.

Here is a bit of the transcripted detail of it:
What was the feeling back then? Wasn't so sure about it.

Felt anything? Yes, and maybe no. Perhaps feelings would have been different if nothing was mentioned prior to that. Maybe it was just imagination. So wasn't too sure about feelings though.

Perhaps should relax and believe the feelings, as they come and go. Tried. But nothing obvious seem convincing.

From what read in the comic books about the story how a secret skill is being taught amongst the students, which of the following will be the successful person? Ones without talent and not hardworking; ones without talent and work only whenver feel like working; ones without talent but work as hard as possible; ones with talent and not hardworking; ones with talent and work only whenever feel like working; ones with talent and work as hard as possible?" Or use dancing as the example instead. Which one of the students can become a good dancer and good choreographer? It'd be one with talent and work as hard as possible, followed by one without talent but work as hard as possible.

So with or without talent, effort (including hardwork and realization) is the key.

One can master the foundation, the steps and the skills by being taught and repetitive exercise, like a ordinary responsible dancer. But one can only become the master when one allows the mind, body, and heart to seize the true spirit of one thing. That is the insight and the true nature of thing, to become a true dancer that can touch people when their spirit is endowed into the piece they do, and eventually become a good choreographer who can successfully pass on the idea to the dancers and audience.

If one's effort is being poured into the process of mastering something, how often does one need for revision? It's like we eat, drink, rest and workout, do we need to constantly doing it everyday so that we get replenish accordingly or we can simply do it only once in a while and expect it to work effectively without fail?



It is like the animals gathering food in their store for the sake of surviving the winter, we need to accumulate our effort bit by bit so that we can have it when we need it. It suddenly reminds me about the story of grasshopper and the ant that we all have heard when we were very young.

Æsop. (Sixth century B.C.) Fables.
The Harvard Classics. 1909–14.

The Ant and the Grasshopper

IN a field one summer’s day a Grasshopper was hopping about, chirping and singing to its heart’s content. An Ant passed by, bearing along with great toil an ear of corn he was taking to the nest.

“Why not come and chat with me,” said the Grasshopper, “instead of toiling and moiling in that way?”

“I am helping to lay up food for the winter,” said the Ant, “and recommend you to do the same.”

“Why bother about winter?” said the Grasshopper; “we have got plenty of food at present.” But the Ant went on its way and continued its toil. When the winter came the Grasshopper had no food, and found itself dying of hunger, while it saw the ants distributing every day corn and grain from the stores they had collected in the summer. Then the Grasshopper knew:

“IT IS BEST TO PREPARE FOR THE DAYS OF NECESSITY.”

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